There’s still time to get your hands on the brand new Moffat Bingo cards.
‘The Crimson Horror’ marks the return of Victoriana, the Paternoster gang, and that gnawing sense that Mark Gatiss may be the most hit-and-miss Doctor Who writer since Chris Chibnall. You may remember that I really loved ‘Cold War’. I thought it was fan-pleasing without being introvertedly self-referential, action packed without being over the top, and in a setting that felt historically real enough that the cracks in the likelihood of eccentric Soviet professors knowing much about English electro-pop bands didn’t really matter too much.
This certainly isn’t to suggest that ‘Crimson Horror’ approaches the levels of ‘Fear Her’ or the inaccurately named World War Two shocker, ‘Victory of the Daleks’, in being a bad episode. Quite the opposite in fact; I found it hugely enjoyable, even on a second viewing. It’s simply uneven in a way that many of his episodes seem to be.