The Next Big Thing – ‘The Darkness Embraces’

Skyrim DungeonWe’re all about the writing this week, as our reviewer and sometime podcaster Kieran Mathers takes us on a whirlwind tour of his forthcoming fantasy novella.

What’s the working title of your book?

‘The Darkness Embraces’

Where did the idea for the book come from?

Bizarrely enough, the idea came from playing Skyrim. In that, you often explore great underground tombs and temples, either on your own with a companion. While I was thinking about this general fantasy trope, I found it interesting to imagine what would happen if, instead of a small group fighting another small group, you had entire armies underground who were trying to prosecute a military campaign. So it was a narrative leap into the darkness of the cave, and the very first title was actually Legion in the Dark. Plus, I was raised in Yorkshire, and we’ve got massive caverns and a great tradition of caving there, so I tried to bring some of what I know about that to the book as well.
The book was actually my attempt at NaNoWriMo, the National Write a Novel in a month contest, but it turned out so well that I thought I’d continue it towards publication.

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Game of Thrones – From Page to Screen

Join Caleb Woodbridge, Sarah Burrow and – making his debut on the podcast – Kieran Mathers as they tackle George RR Martin’s epic fantasy sequence.

After an in-depth discussion of the books, including their use of history and magic, the team turns a ciritcal eye on the smash hit HBO series. Where did it succeed? Where did it fail? And how should Season 2 (and Season 3) move forward? All this, plus the burning question: do too many lesbian prostitutes spoil the broth?

PLEASE NOTE: The first 30 minutes of the podcast are spoiler free, but there are significant spoilers for the rest of the running time. You have been warned!

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Game of Thrones Review – Ep 9: ‘Baelor’

War. Huh! What is it good for? Reviewer Kieran Mathers finds out, and wonders whether the show will deliver on all its promises. Be warned that there are mild spoilers ahead. And, for those of you not yet up to speed, check out our Game Of Thrones primer.

How to talk about this episode without ruining it? Not mention the end, I suppose. Fans of the book, you know what’s coming and they don’t change it one bit. Those of you who have not read ahead … well, you’ve got such a treat coming. It’s the one moment in this show that I wish I hadn’t known about in advance. It’s brilliant, and one of the bravest things I’ve ever seen from a major TV show. I don’t know if the popularity of this show will continue, but if it fails after the properly commissioned second series; well, at least they have their integrity. Bravo, everyone involved, bravo.

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Book Review – ‘A Dance with Dragons’ – George R.R. Martin

The latest Game of Thrones sequel has been a long time coming. Can it maintain the momentum of George R.R. Martin’s winning streak? Our reviewer Kieran Mathers, no stranger to the kingdom of Westeros, finds out…

If you’ve not yet read Kieran’s reviews of the Game of Thrones TV series, you can start here. And come back tomorrow, for the latest instalment!

Numerically, this book is very impressive. It weighs 2.5kg and has over a thousand pages. It costs over £25. It is written from the perspective of eighteen characters. It took over six years to write and picks up plot lines over eleven years old. It features voyages of thousands of miles, a cast of hundreds of thousands, deaths by the thousand. It is the defining case when referring to modern epic literature.

And … I don’t think it’s actually that good.

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Game of Thrones Review – 1.08: ‘The Pointy End’

If you want a job done properly, do it yourself. But, as Game of Thrones plunges ever closer to its bloody climax, Kieran Mathers wonders if authors are the best people to adapt their own works. Our usual mild spoiler warning applies.

This week’s episode was written by the man himself, G.R.R Martin, author of the entire A Song of Ice and Fire series. Normally, I’d wonder why they called on the author to adapt his own material, as it calls for different skills – you don’t see Joanne Rowling writing the scripts for the Harry Potter movies, for example. But in this case it works. Martin has a huge amount of experience in writing screenplays for shows such as The Twilight Zone and I think it’s clear that, like Douglas Adams, he also understands the difference in format.

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Game of Thrones Review – 1.07 ‘You Win or You Die’

Things are hotting up in Westeros but Kieran Mathers wonders just how far a show should go to keep its audience interested. Perhaps the Starks just need a brisk walk…

An awful lot of Game of Thrones is exposition. It’s not a police procedural, after all, and the world has to be defined through dialogue as there is little else to relate it to an unfamiliar audience. Disguising this exposition is one of the hardest tricks for a writer to pull off. One solution is to have a distraction or a gimmick to make such scenes more visually interesting. TV is a visual medium and has been taking advantage of this for a long time.

A great example of this is The West Wing. To keep expository scenes interesting, writer Aaron Sorkin made the characters walk. It didn’t matter where they were walking, just that the dialogue had some action to it. He later admitted the only reason he had done this is to stop characters talking to each other statically, and in the process created a new verb: ‘To sorkin’ – the act of walking fiercely in one direction while holding a rapid-fire conversation. Intelligence and a good sense of direction is required.

However, Game of Thrones has discovered something different in the form of visual gimmicks: noble butchery and … sigh … lesbian tryouts. I wish I were kidding.

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