Book Review – ‘Kingston to Cable’ – Gary Greenwood

There’s a new reviewer in town. Claire Fayers squares off against the latest offering from fantasy and horror writer Gary Greenwood. Who will be left standing?

Western crossovers seem to be gaining in popularity. First we had Western-martial arts comedy (Shanghai Noon), then Korean Western (The Good the Bad and the Weird). Cowboys and ninjas fought in The Warrior’s Way and, as I write this, Harrison Ford is doing battle in Cowboys & Aliens.

Kingston to Cable by Gary Greenwood takes the Western, shakes it up a bit and dumps it in a fantasy setting. The world is one of isolated towns separated by vast expanses of inhospitable territory and the opening scene is the most classic of all Western classics: a stranger rides into town.

Or, rather, a Stranger. In Kingston, Strangers are a recognised class – wanderers with names such as Slake and Hook and Justice. They stay in the town Station, drink in the town bar, stay for a few days or a few weeks, and move on. Some of them are pursuing their own agendas, some just appear to enjoy causing trouble. Many are reputed to have magical powers, which explains the townspeople’s reluctance to get involved with them.

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Book Review – ‘A Dance with Dragons’ – George R.R. Martin

The latest Game of Thrones sequel has been a long time coming. Can it maintain the momentum of George R.R. Martin’s winning streak? Our reviewer Kieran Mathers, no stranger to the kingdom of Westeros, finds out…

If you’ve not yet read Kieran’s reviews of the Game of Thrones TV series, you can start here. And come back tomorrow, for the latest instalment!

Numerically, this book is very impressive. It weighs 2.5kg and has over a thousand pages. It costs over £25. It is written from the perspective of eighteen characters. It took over six years to write and picks up plot lines over eleven years old. It features voyages of thousands of miles, a cast of hundreds of thousands, deaths by the thousand. It is the defining case when referring to modern epic literature.

And … I don’t think it’s actually that good.

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Book Review – ‘Dead Souls’ – Editor: Mark S. Deniz

Our book review thread is back! P.G. Bell dives into Dead Souls, a collection of short tales that charts the murky depths of mankind. 

Reviewing short story anthologies can be a tricky business. Each tale has to be judged on its own merits while the anthology as a whole – with its various authors, tones and voices – has to be considered as a cohesive unit. Many anthologies make life easier by opting for a particular theme, motif or character around which to group their stories but Dead Souls is a little more abstract.

As editor Mark S. Deniz makes clear in his foreword, the anthology uses its title (taken from a song by Joy Division) as its starting point, launching an examination of “human nature through short stories about people, people who do terrible things.”

That sounds clear enough, and you could be forgiven for assuming the book sits firmly in the horror genre, especially given Reece Notley’s gorgeous, if disturbing cover.  But it soon proves to be a rather more nebulous beast.

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Interview: Tolkien and Wales – Dr Carl Phelpstead

Caleb Woodbridge interviews Dr Carl Phelpstead, author of ‘Tolkien and Wales: Language, Literature and Identity‘, recently published by the University of Wales Press.

Tolkien once wrote: ‘I love Wales – and especially the Welsh language’. In this episode, we discuss with Dr Phelpstead how Welsh influenced Tolkien’s ideas about language and his fiction, especially The Hobbit and The Lord of the Rings. We also discuss Tolkien’s place in the university today, and what the future might hold for the academic study of Tolkien.

Dr Phelpstead is a Reader in English Literature at Cardiff University. His areas of research include Old Norse and Medieval English literature. Dr Phelpstead has published widely on Norse sagas and other medieval literature and has contributed to The J.R.R. Tolkien Encyclopaedia and Tolkien Studies.

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Are you interested in the myths, legends and cultures that influenced Tolkien’s writing? What light do you think academic scholarship can shine on books like ‘The Lord of the Rings’? Share your thoughts and ideas in the comments!

Game of Thrones Primer

Future classic or oversexed Tolkien knock-off? Reviewer Kieran Mathers introduces George R. R. Martin’s A Game of Thrones. Make sure you check out his episode-by-episode reviews of the HBO television series! (Links at the foot of this article).

Game of Thrones is the new, heavily hyped fantasy TV series from HBO. It reportedly has a $100 million budget and features a range of well known movie stars, including Sean Bean (Lord of the Rings, Goldeneye), Peter Dinklage (Willow) and Lena Headey (300). A critical and ratings success, it has already been renewed for a second season.

Game of Thrones has been adapted from the fantasy novel series A Song of Ice and Fire, written by George R.R. Martin. The show takes its title from the first book, A Game of Thrones, which was released in 1997. The story continues in the subsequent volumes; A Clash of Kings (2002), A Storm of Swords (2003), A Feast for Crows (2007) and the latest volume A Dance of Dragons (2011). To say that this latest volume has been eagerly awaited by fans of the series would be an understatement.

Game of Thrones takes place in the land of Westeros, which has enjoyed 17 years of peace since the deposition and murder of the last of the ruling Targaryen dynasty. King Robert Baratheon, sometimes known as the ‘Usurper’, now sits upon the throne, supported by his loyal ‘Hand’ John Arryn, a senior advisor and councillor.

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Review – Un Lun Dun – China Miéville

Caleb Woodbridge reviews China Miéville‘s novel ‘Un Lun Dun’, winner of the 2008 Locus Award for Best Young Adult Book:

The idea that the magical or fantastic may be lurking just around the corner is very appealing, and one that science fiction and fantasy uses frequently. A 1960s police telephone box is revealed as a time machine; the barrier between platforms 9 and 10 of King’s Cross Station turns out to be a gateway to a world of wizardry. The fantastic is all around us. In Neil Gaiman’s Neverwhere, there are two Londons: London Above, which we are familiar with, and the magical London Below. Un Lun Dun revisits the concept for a younger audience, with Zanna and Deeba finding their way into the abcity of UnLondon.
The story gets off to quite a slow start, and seems to follow some fairly well-worn fantasy tropes. As Zanna and Deeba enter UnLondon, they discover that Zanna is the “Shwazzy” (from the French “choisi”, chosen). She is the Chosen One prophesied to save London from the Smog. However, all does not go to plan, and the reliability of the prophecies quickly goes out the window. This leaves the characters free to go trampling over the clichés and conventions of the fantasy genre. Deeba refuses to stick to her role of “comedy sidekick” to Zanna, and determinedly breaks the rules of the quest in a desperate attempt to save London and UnLondon alike.